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bargain | bin

A stranger’s shirt on my back, sweat-sour,

I weave a tangled arithmetic through a sea of ink

to pawn off dented yellow helm and a pair of blue-stained sleeves

for an onigiri.

 

On the polished arcade floor leaning against a shuttered Westwood you are

shamefully out of fashion, on the borderlands of expiry,

and my lungs are crushed beneath

the sight of you like a mountain of sodden rags.

 

This is no life for the young.

A razor to the neck would be a swift kindness

compared to cyanide smoke and scraps of second-hand memories,

a future the worth of

a cell, a cage-house, a nail in the coffin.

 

No one asks to become a battlefield.

No one asks to be the last card drawn in a gamble of glutted gods,

a garish slip of discounted fabric condemned to the teeth of time.

 

(Have you ever dreamt of this? This empty bardo, this boar’s head on a stake.

The so-called glory of being warchildren

chosen by the toss of a devil’s-dice.)

 

You tell me through a mouthful of blood that seaweed-wrapped rice the size of

a heart never tasted so good.

 

Later, in the trash:

a mask, a broken umbrella, a scuttling roach, a white grain.

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Ewen Ma

Ewen Ma

Ewen Ma’s work can be found or are forthcoming in venues such as Uncanny, The Deadlands, Fusion Fragment, Haven Spec, Kaleidotrope, Anathema, and the anthology Amplitudes: Stories of Queer and Trans Futurity, among others. Ewen is a graduate of Clarion West and Tin House, and was shortlisted for the Future Worlds Prize in 2020. They are a Hong Konger currently based between the UK, Taiwan, and Hong Kong. Catch Ewen on Bluesky (@ewenmaer.bsky.social) or their website (http://ewenma.com).