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Uncanny Magazine 2017 Favorite Fiction Reader Poll Results!

Space Unicorns! It is time to announce the TOP STORY in our Uncanny Magazine 2017 Favorite Fiction Reader Poll!
It is…. *drumroll*

And Then There Were (N-One) by Sarah Pinsker!!!

Congratulations, Sarah! Sarah will be receiving a SNAZZY CERTIFICATE!
The rest of the Top Five are:

 

2- Fandom for Robots by Vina Jie-Min Prasad

 

3- IS A TIE!!!

Small Changes Over Long Periods of Time by K.M. Szpara

 

Sun, Moon, Dust by Ursula Vernon

 

4- Monster Girls Don’t Cry by A. Merc Rustad

 

5- Clearly Lettered in a Mostly Steady Hand by Fran Wilde

Congratulations to Vina, K.M., Ursula, Merc, and Fran!
Thank you to everybody who voted!
Don’t forget if you’re nominating for the Nebula or Hugo Awards, we have a list of all of our eligible stories here.

Eight Uncanny Stories Are on the 2017 Locus Recommended Reading List and Locus Award Poll!

SPACE UNICORNS! HAPPY DAY!!! There are EIGHT Uncanny Magazine stories on the prestigious 2017 Locus Recommended Reading List! WE ARE SO CHUFFED! Congratulations to all of the authors!

‘‘And Then There Were (N-One)’’, Sarah Pinsker
‘‘Children of Thorns, Children of Water’’, Aliette de Bodard  (Reprint from 2017)
‘‘The Thule Stowaway’’, Maria Dahvana Headley
‘‘The Worshipful Society of Glovers’’, Mary Robinette Kowal 
‘‘Though She Be But Little’’, C.S.E. Cooney
‘‘Paradox’’, Naomi Kritzer
‘‘Bodies Stacked Like Firewood’’, Sam J. Miller
‘‘Fandom for Robots’’, Vina Jie-Min Prasad 

This means you can vote for these stories in the 2018 Locus Poll and Survey which determines the Locus Awards! Voting is FREE TO ALL! Along with these stories, Uncanny Magazine is also eligible for a Locus Award in the Best Magazine or Fanzine category, and Lynne M. Thomas & Michael Damian Thomas are eligible in the Best Editor – Pro or Fan category! Vote for the things you liked, and you can even write in things that didn’t make the 2017 Locus Recommended Reading List! YOUR VOTE ALWAYS COUNTS!

And as long as you are in a voting mood, don’t forget to vote in the Uncanny Magazine Readers’ Favorite Stories Poll! It’s open until February 7, and the winning author gets a SNAZZY CERTIFICATE!

Shine on, Space Unicorns!

 

Uncanny Celebrates Reader Favorites of 2017!

Hello, Space Unicorns! 2017 was a… complicated year. Though many things were hard and horrible, we are very proud of all of the amazing works we published in Uncanny. Everyone in the Space Unicorn Ranger Corps has been wonderfully supportive, and your enthusiasm has meant so much to us. It’s been fantastic to see how much our readers have been enjoying Uncanny’s fiction. And while we have our personal favorites, we’d like to know which stories YOU loved from Uncanny in 2017.

We’ve set up a poll for Uncanny readers to vote for their top three favorite original short stories from 2017. (You can find links to all of the stories here.)

The poll will be open from January 17 to February 7, after which we’ll announce the results. We’re excited for you to share which Uncanny stories made you feel!

snazzy certificate will be given to the creator whose work comes out on top of  the poll!

So please spread the word! And don’t forget, EVERY VOTE COUNTS!

Uncanny Magazine 2017 Poetry Award Eligibility

Nominations for the Science Fiction and Fantasy Poetry Association’s 2018 Rhysling Awards are now open to all current SFPA members! Nominations close on February 15. If you are a member and would like a list of all of Uncanny Magazine‘s 2017 poetry, here you go!

“Jean–Luc, Future Ghost” by Nin Harris

“In Lieu of the Stories My Santera Abuela Should Have Told Me Herself, This Poem” by Carlos Hernandez

“Except Thou Bless Me” by Nicasio Andres Reed

“time, and time again” by Brandon O’Brien

“Protestations Against the Idea of Anglicization” by Cassandra Khaw

“The Size of a Barleycorn, Encased in Lead” by Bogi Takács

“The Axolotl Inquest” by Lisa M. Bradley

“Twenty Seventy-One” by Sonya Taaffe

“Dancing Princesses” by Roshani Chokshi

“Seven Shoes” by Theodora Goss

“What to expect from the Hadron Collider as a college roommate” by Betsy Aoki

“Qi Xi” by Joyce Chng

“Starskin, Sealskin” by Shveta Thakrar & Sara Cleto

“Questions We Asked for the Girls Turned to Limbs” by Chloe N. Clark

“Domovoi” by Rose Lemberg

“Birth, Place” by Brandon O’Brien

“Too Much Dystopia?” by Jo Walton

“A Lovesong From Frankenstein’s Monster” by Ali Trotta

“The Golem of the Gravestones” by Gwynne Garfinkle

“The old woman who hands you an apple” by Betsy Aoki

“Spice Islands” by Nin Harris

“For All My Missing Jiejies and Ayis” by Sharon Hsu

“An Announcement” by Sara Cleto & Brittany Warman

“The Designs of Designer Baby” by Millie Ho

“Keening” by Valerie Valdes

“Afternoon with Grandparents” by Dominik Parisien

“Apathetic Goblin Nightmare Woman” by Cassandra Khaw

Uncanny Magazine Issue 20 Cover and Table of Contents!

Coming January 2, THE TWENTIETH ISSUE OF THE 2016 & 2017 HUGO AWARD-WINNING  UNCANNY MAGAZINE!!!

All of the content will be available in the eBook version on the day of release.

The free online content will be released in 2 stages- half on day of release and half on February 6.

Don’t forget eBook Subscriptions to Uncanny Magazine are available from Weightless Books and Amazon Kindle, and you can support us on our Patreon!

Uncanny Magazine Issue 20 Table of Contents

Cover
Sleepless on the Silk Road by Tran Nguyen

Editorial
“The Uncanny Valley” by Lynne M. Thomas & Michael Damian Thomas (1/2)

Fiction
“She Still Loves the Dragon” by Elizabeth Bear (1/2)
“Contingency Plans for the Apocalypse” by S.B. Divya (1/2)
The Hydraulic Emperor” by Arkady Martine (1/2)

“Lines of Growth, Lines of Passage” by Marissa Lingen (2/6)
“Your Slaughterhouse, Your Killing Floor” by Sunny Moraine (2/6)
“The Utmost Bound” by Vivian Shaw (2/6)
“The Date” by R.K. Kalaw (2/6)

Reprint Fiction
“Conservation Laws” by Vandana Singh (1/2)

Nonfiction
“We Will See You Now” by Fran Wilde (1/2)
“The Stories Our Games Tell Us: Excellent Narrative Games of 2017” by John Wiswell (1/2)
“Mobile Matchmaking Hell” by Iori Kusano (1/2)

“Postcards from the Apocalypse” by Rebecca Roanhorse (2/6)
“How to Make a Witch-Hunt: Salem 1692” by Sarah Monette (2/6)

Poetry
“The Early Ones” by Sofia Samatar and Del Samatar (1/2)
“The Knight of the Beak” by Sofia Samatar and Del Samatar (1/2)
“The Cat’s Daughters” by Nitoo Das (1/2)

“Shadow-Song” by Sonya Taaffe (2/6)
“1532” by Ana Hurtado (2/6)

Interviews
S.B. Divya interviewed by Caroline M. Yoachim (1/2)

Sunny Moraine interviewed by Caroline M. Yoachim (2/6)

Podcasts
20A (1/2)
“She Still Loves the Dragon” by Elizabeth Bear, as read by Stephanie Malia Morris
“The Cat’s Daughters” by Nitoo Das, as read by Erika Ensign
Lynne M. Thomas Interviews Elizabeth Bear

20B (2/6)
“Lines of Growth, Lines of Passage” by Marissa Lingen, as read by Erika Ensign
“1532” by Ana Hurtado, as read by Stephanie Malia Morris
Lynne M. Thomas Interviews Marissa Lingen

Uncanny Magazine Dinosaur Special Issue Guidelines!

As you may know if you followed the Uncanny Magazine Year 4 Kickstarter, Uncanny Magazine Issue 23 will be a Special Shared-Universe Dinosaur Issue! The planned solicited contributors are:

Do you want to join them? One of the stretch goals was adding two extra unsolicited stories to the issue! We will be open to submissions from March 1- March 15, 2018.

The Dramatic Pitch:

The year is 2069. Rumors of monsters haunt three abandoned islands in the Pacific Ocean. Surrounded by dangerous waters from which visitors are warned away, few have dared visit and fewer still have returned to tell the tale. The three islands, linked via now-decrepit tunnels and bridges, were intended to create and experiment on DINOSAURS. Though many of their creations and experiments remain, The Owen Corporation mysteriously disappeared, never getting a chance to show off their work.

A rich ecosystem developed in the absence of the organization—a mixing of abandoned facilities, technology, eccentric people, and amenities with the ancient wilderness of surrounding waters, labyrinthine caves, and highest treetops.

On the largest island sits a shimmering crater filled with mysterious energies, where dinosaurs sometimes wander and often end up elsewhere… or elsewhen. The portal, accidentally created by The Owen Corporation for unknown reasons, is a gateway to other worlds, times, and dimensions, and it is growing. Soon, the experimental dinosaurs may very well overwhelm the entire multiverse.

#

Writers are encouraged to play with this island setting, or to simply write a story featuring dinosaurs who wandered through the portal to whatever setting works best for the story (outer space, throughout history, alternate dimensions, etc.).

We are looking for stories that are 750-6000 words. Payment is $.08 per word (including audio rights). We will reject any story that doesn’t follow our guidelines and procedures. You may not resubmit a rejected story. If you aren’t sure if your story counts as unpublished, please query us.

Submission procedures:

1- Please submit your story via Uncanny‘s Moksha submission system.

2- All stories should be in Standard Manuscript Format and attached in .RTF, .DOC, or .DOCX formats.

3- Your cover letter should contain the length of your story, your significant publishing history and awards, and information that might be relevant to that specific submission.

4- Please do not send multiple submissions at once, or submissions simultaneously submitted at another market or anthology.

5- We try to respond to all submissions in 30 days. Please feel free to query uncannymagazine [at] gmail [dot] com if we’ve had your submission for over 45 days.

Uncanny Magazine 2017 Award Eligibility

It’s the time of year when people post their year-in-reviews to remind voters for the different SF/F awards what’s out there that they might have missed and which categories these stories are eligible in (especially for the Hugo Awards and Nebula Awards). 2017 was the third full year of Uncanny Magazine (Issues 14 through 19). We are extremely proud of the year we had.

This year, Uncanny Magazine is still eligible for the Best Semiprozine Hugo Award. Lynne M. Thomas and Michael Damian Thomas are also still eligible for the Best Editor (Short Form) Hugo Award. (Note: If you are nominating the Thomases in this category, please continue to nominate them together. They are a co-editing team.)

The stories listed below are eligible in either the short story, novelette, or novella categories of the SF/F awards. If you are a SFWA member nominating for the Nebula Awards, you can find eBook copies of these stories in the SFWA Forums.

Please also note that essays are eligible for the Best Related Work Hugo Award, and poetry is eligible for the Rhysling Award. As Uncanny is a semiprozine, all of the essays and original art also contribute towards the creators’ Best Fan Writer and Best Fan Artist Hugo Award elligibility.

Webcomic creator Liz Argall is also eligible in the Best Fan Artist Hugo Award category for her Things Without Arms and Legs webcomic which is a regular feature here on the Uncanny website!

Novellas (17,500-40,000 Words):

And Then There Were (N-One) by Sarah Pinsker

 

Novelettes (7500-17,500 Words):

The Thule Stowaway by Maria Dahvana Headley

Small Changes Over Long Periods of Time by K.M. Szpara

The Worshipful Society of Glovers by Mary Robinette Kowal

Down and Out in R’lyeh by Catherynne M. Valente

At Cooney’s by Delia Sherman

Making Us Monsters by Sam J. Miller & Lara Elena Donnelly

Children of Thorns, Children of Waterby Aliette de Bodard (Eligible Reprint)

 

Short Stories (Under 7500 Words):

Goddess, Worm by Cassandra Khaw

Monster Girls Don’t Cry by A. Merc Rustad

Bodies Stacked Like Firewood by Sam J. Miller

Some Cupids Kill With Arrows by Tansy Rayner Roberts

To Budapest, with Love by Theodora Goss

Auspicium Melioris Aevi by JY Yang

Rising Star by Stephen Graham Jones

With Cardamom I’ll Bind Their Lips by Beth Cato

An Abundance of Fish by S. Qiouyi Lu

Sun, Moon, Dust by Ursula Vernon

Read Before Use by Chinelo Onwualu

Making the Magic Lightning Strike Me by John Chu

Paradox by Naomi Kritzer

Notes from Liminal Spaces by Hiromi Goto

The Ache of Home by Maurice Broaddus

A Nest of Ghosts, a House of Birds by Kat Howard

How the Maine Coon Cat Learned to Love the Sea by Seanan McGuire

Packing by T. Kingfisher

I Built This City For You by Cassandra Khaw

Clearly Lettered in a Mostly Steady Hand by Fran Wilde

Henosis by N. K. Jemisin

Though She Be But Little by C. S. E. Cooney

Fandom for Robots by Vina Jie-Min Prasad

The Bone Plain by Karin Tidbeck

Sorrow and Joy, Sunshine and Rain by Troy L. Wiggins

Pipecleaner Sculptures and Other Necessary Work by Tina Connolly

Learning to See Dragons by Sarah Monette

How to Survive an Epic Journey by Tansy Rayner Roberts

Elemental Love by Rachel Swirsky (Eligible Reprint)

Uncanny Is Opening an Internship! POC and Native and Indigenous People HIGHLY Encouraged to Apply!

Fantastic news, Space Unicorns! We’re extremely excited to share that we will be offering an editorial internship position with Uncanny Magazine to which we STRONGLY encourage people of color and Native and Indigenous people to apply! The internship will begin in January and run through the end of December 2018, and will come with a small stipend.

We’re looking for someone with a deep love of science fiction and fantasy, and an interest in editorial work and publishing. The internship will allow opportunities to participate in the daily operations of running a two-time Hugo Award-winning online bimonthly publication in the SF/F field, with a focus on working with the managing editor, Michi Trota, to produce a regular newsletter. While the internship emphasizes editing and production, there may be some opportunities to work with basic graphics and design.

The internship will require roughly 10-15 hrs per month. The internship is not location-dependent; communication and tasks will be done primarily online via email, Slack, and Google Hangout or Skype.

Prior experience in publishing and familiarity with using programs such as Google docs and WordPress is beneficial but not required.

Applications for the internship will be open from December 1st through December 15th. Please submit a short personal statement (up to 300 words) via Uncanny’s contact form with “Uncanny Internship” in the subject line.

Good luck, Space Unicorns!

The Writer’s Redemption Arc- A Guest Post by Tracy Townsend

(Guest Post by Tracy Townsend)

When I was very young, you couldn’t get me to stop writing, reading, and daydreaming. I needed stories because deep down, I was sure that telling a story right was the only way I could ever be forgiven for the crime of being myself.

Understanding this might be a little easier if you sit inside a writer’s head for a moment—or at least, if you sit inside mine. I am an ink-eyed, darting creature, hoarding everyday things until they pile up into something I can burrow into properly. I practice pulling faces, trying to find just the right word to describe the feeling of a scowl. I speak in imaginary people’s voices, choreograph battles with unseen foes. I enter rooms and silently narrate my own comings and goings.

 I do this—and, I think, other writers do this—because stories demand to be told correctly. They won’t always tell us exactly what they want, but insist on having it, all the same. What’s worse, sometimes stories ask you to write them because they know you really need them. You need what they can say to make up for everything you’ve failed to say or do, outside their margins.

The brain is a remarkable thing. It invites us to take the world and spin it into different possibilities, imagining alternatives. It’s the organ that makes change possible. Whatever else we might say about the heart in our most romantic moments, it’s the seat of stories. That wondrous speculative capacity also makes it appallingly cruel.

The brain loves unpacking all our memories of word and act and intent, only to reveal the inventory badly in arrears. We hurt people. We say things we don’t mean, or worse, things we do, but should have held back. We face challenges and crumple before them, or beat them back in ways we come to regret. We can imagine ourselves as better, smarter, kinder, stronger, more diligent, and more successful. And we are so very, very good at punishing ourselves for not being those things.

I wrote The Nine at a time when I didn’t know what I meant anymore, or if I mattered. I needed a story about people finding value in themselves, and each other, and contending with what that really means. I needed to be redeemed.

Talk about stories long enough, and you’re bound to talk about a redemption arc. A character has done terrible things and now, faced with the opportunity to do or be better, they begin an elegant (or maybe awkward) heel-face pirouette. But I don’t know that I’ve ever heard anyone describe my redemption arc, as a writer. The story demands to be told correctly and I need to prove that I can do it, because it contains what I think (or fear) is true about the world. Or about me. I filled my novel with jumbled-up people making terrible decisions: retired mercenaries; mistrustful guttersnipes; opportunistic nobles; amoral scholars; failed parents. The lucky ones get to change, evolving into something more than what they were. I wanted to tell that story because in doing it, I make it possible to revisit harm or do penance for it. And if that’s possible for my characters, then it’s still possible for me. In a story-shaped world, I can think about people, and myself, with eager, urgent hope.

I wrote The Nine when I was processing a lot of my own failures and fears. There were a lot of characters to pack those feelings into, embodying pieces of my self-doubt, guilt, and anger. That’s why the story demands to be told correctly. There’s so much of me riding on it. It’s also why a writer never really knows what the correct story—the one that asks the right questions and fights for the right answers—looks like. Our needs change. There’s no one story that will heal us, because redemption is a moving target.

That’s not such a bad thing. Perhaps redemption should always lie just over the next hill, someplace we’re moving towards. That’s where The Nine leaves its characters. It’s where the book left me, too, writing its sequel, still searching for the things I need to say to myself.

(Editors note: Tracy Townsend’s The Nine was released on November 14, and is now available at all booksellers.)


Tracy Townsend holds a master’s degree in writing and rhetoric from DePaul University and a bachelor’s degree in creative writing from DePauw University, a source of regular consternation when proofreading her credentials. She is a past chair of the English Department at the Illinois Mathematics and Science Academy, an elite public boarding school, where she currently teaches creative writing, and science fiction and fantasy literature. She has been a martial arts instructor, a stage combat and accent coach, and a short-order cook for houses full of tired gamers. Now she lives in Bolingbrook, Illinois with two bumptious hounds, two remarkable children, and one very patient husband. Her debut novel, The Nine, is the first in the Thieves of Fate series, published by Pyr November 14, 2017. You can find her on Twitter at @TracyATownsend and on the web at www.tracytownsend.net.